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第17章 SIGNALS ON THE MOUNTAIN.(2)

"I wonder if there is any one left in New York?" he added, with a grin. "It seems to me that about all the people I ever knew there are on their way south.""This fellow may be fascinated by our good looks," Frank put in.

"He seems to be in need of polite society."

"Polite society!" repeated Jimmie. "You give him a dump on the floor for polite society. Is he the man who is lookin' for the mine youse fellers have been talkin' about ever since we left El Paso?""If we should follow him to the mine, " George suggested, "and arrest him there, that ought to end the case. It would end the mystery, anyway, and show why the assault was made. I guess you have been after this man all the way down, Nestor," he added.

"When he hasn't been after me," laughed the patrol leader. "But you mustn't be too certain that the arrest of this man would end the case. He may be after the mine, may even have a copy of the description in Mr. Cameron's office, and yet be entirely innocent of the crime.""He ought to be pinched for trying to geezle me in the eats house,"grinned Frank.

The boys ascended the slope until darkness set in, and then rested in a little valley, or dent, between two peaks, and pitched their two small shelter tents. Then they built a fire of such light wood as they could find and prepared supper. As soon as the meal was cooked they put out the fire, fearful that the smoke might betray their presence there. Presently Jimmie called attention to two columns of smoke rising high up on the mountain.

"They're signals," he said, "because there wouldn't be two camp-fires close together. They're signals, all right.""What do they mean?" asked Nestor, with a smile.

"One column means come to camp," replied Jimmie, "two mean that help is needed, three mean that there is good news, and four mean come together for a council. They are Indian signals, and the Boy Scouts use them in the woods when out hunting.""Then this means a call for help," said Fremont.

"That's what," from Jimmie.

"It may mean for the man with the short leg to come on," laughed Frank.

"I wish I had my drum. I could make him think he had help coming. You wait until I get that drum. I'll show you what's what."Lights could now be seen moving on the mountain. It seemed clear that men were massing there for some purpose. Soon Frank and Jimmie were asleep. Then Nestor asked:

"George, do you remember whether the bolt in the corridor door of the Cameron suite turned under your key that night? In other words, was the door locked?""I thought it was," was the reply.

"But you are not certain?"

"No, because I was dazed when I opened the door and found the room dark and still. I had expected to find Mr. Cameron at his desk, as there were lights there before I entered the building.""You saw no one on the stairs?"

"Not a soul."

"When did you first meet Mr. Cameron?"

"Seven years ago, when I was selling newspapers.""He was a customer?"

"Yes, and a good one. He talked with me quite a lot, and finally asked me to come to live with him and take a position in his office when I got older.""And you were glad to go?"

"Naturally. My life was not a pleasant one.""Did he ever talk to you about that old life?""Often. He asked me lots of questions about my parents.""And what did you tell him?"

"There was noting to tell. I could not remember my parents. At first there was Mother Scanlon, who beat me as often as she fed me, and then I was on the streets, sleeping in alleys and stairways.""Have you seen this Mother Scanlon lately?" was the next question.

"Never, but why are you asking me all these questions? I'm no fairy prince under enchantment. Just a waif left alone in New York. There are plenty such.""I want you to look Mother Scanlon up when you get back to New York" Nestor said.

He might have given some reason for the remark, only Jimmie and Frank awoke and called attention to signals on the mountain.

"I know that wig-wag game," the latter said. "Keep still and I'll tell you what he says."Four pair of eyes were instantly fixed on the heights above, where a slender column of flame, like a torch on fire most of its length, was plainly to be seen. It was not a stationary column, however, for it moved to right and left in an arc of ninety degrees, starting at vertical and swinging back of it. At times the point was lowered, as if the column had been dipped to the ground in front.

"If he is talking United States instead of Spanish," Jimmie said, "I'll read it for you.

The Scouts use those signals. The motion from vertical to right is ONE, that from vertical to left is TWO, and that from vertical to the front is THREE. See! It is United States, for there are two left motions, meaning A. Now there's two twos and a one, repeated. That means two 1's. 'All' is the word.""That is the way I read it," said Nestor.

"Wait, said Jimmie. "He didn't give the signal which indicates the end of the word.

Here's one two and two ones. That means R. One one is I. Two twos and two ones make G. One one and two twos make H. One two makes T. There! He's said 'All Right, '

and in English. Now, what are Americans doing up there?""That may not be the end of the message," suggested Fremont.

"See the three threes?" asked Jimmie. "That means the end of the sentence.

Now, there's double two, double two, double two, triple three. That means for the other fellow, who must be down the mountain somewhere, to quit signaling.

He's gettin' exclusive, eh?"

"I don't understand why those signals are in English," said Nestor. "There are plenty of Americans mixed up in this mess, but they are not doing the signaling, so far as I have heard. It would seem that the wig-wag ought to be in Spanish.

I wonder if I could get down the mountain to the man there? It would be easier than climbing.""I'll go with you," decided Frank. "If I fall it will be like rolling a feather bed down the mountains. Besides, you may need assistance."And before the others could protest, the two boys were on their way down the steep descent.

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