“Get out, Prissy,” she commanded, “and take Wade. Either carry him or make him walk. Lay the baby by Miss Melanie.”
Wade broke into sobs and whimperings from which Scarlett could only distinguish: “Dark—dark— Wade fwightened!”
“Miss Scarlett, Ah kain walk. Mah feets done blistered an’ dey’s thoo mah shoes, an’ Wade an’ me doan weigh so much an’—”
“Get out! Get out before I pull you out! And if I do, I’m going to leave you right here, in the dark by yourself. Quick, now!”
Prissy moaned, peering at the dark trees that closed about them on both sides of the road—trees which might reach out and clutch her if she left the shelter of the wagon. But she laid the baby beside Melanie, scrambled to the ground and, reaching up, lifted Wade out. The little boy sobbed, shrinking close to his nurse.
“Make him hush. I can’t stand it,” said Scarlett, taking the horse by the bridle and pulling him to a reluctant start. “Be a little man, Wade, and stop crying or I will come over there and slap you.”
Why had God invented children, she thought savagely as she turned her ankle cruelly on the dark road—useless, crying nuisances they were, always demanding care, always in the way. In her exhaustion, there was no room for compassion for the frightened child, trotting by Prissy’s side, dragging at her hand and sniffling—only a weariness that she had borne him, only a tired wonder that she had ever married Charles Hamilton.
“Miss Scarlett” whispered Prissy, clutching her mistress’ arm, “doan le’s go ter Tara. Dey’s not dar. Dey’s all done gone. Maybe dey daid—Maw an’ all’m.”
The echo of her own thoughts infuriated her and Scarlett shook off the pinching fingers.
“Then give me Wade’s hand. You can sit right down here and stay.”
“No’m! No’m!”
Then hush!”
How slowly the horse moved! The moisture from his slobbering mouth dripped down upon her hand. Through her mind ran a few words of the song she had once sung with Rhett—she could not recall the rest:
“Just a few more days for to tote the weary load—”
“Just a few more steps,” hummed her brain, over and over, “just a few more steps for to tote the weary load.”
Then they topped the rise and before them lay the oaks of Tara, a towering dark mass against the darkening sky. Scarlett looked hastily to see if there was a light anywhere. There was none.
“They are gone!” said her heart, like cold lead in her breast. “Gone!”
She turned the horse’s head into the driveway, and the cedars, meeting over their heads, cast them into midnight blackness. Peering up the long tunnel of darkness, straining her eyes, she saw ahead—or did she see? Were her tired eyes playing her tricks?—the white bricks of Tara blurred and indistinct Home! Home! The dear white walls, the windows with the fluttering curtains, the wide verandas—were they all there ahead of her, in the gloom? Or did the darkness mercifully conceal such a horror as the Macintosh house?
The avenue seemed miles long and the horse, pulling stubbornly at her hand, plopped slower and slower. Eagerly her eyes searched the darkness. The roof seemed to be intact Could it be—could it be—? No, it wasn’t possible. War stopped for nothing, not even Tara, built to last five hundred years. It could not have passed over Tara.
Then the shadowy outline did take form. She pulled the horse forward faster. The white walls did show there through the darkness. And untarnished by smoke. Tara had escaped! Home! She dropped the bridle and ran the last few steps, leaped forward with an urge to clutch the walls themselves in her arms. Then she saw a form, shadowy in the dimness, emerging from the blackness of the front veranda and standing at the top of the steps. Tara was not deserted. Someone was home!
A cry of joy rose to her throat and died there. The house was so dark and still and the figure did not move or call to her. What was wrong? What was wrong? Tara stood intact, yet shrouded with the same eerie quiet that hung over the whole stricken countryside. Then the figure moved. Stiffly and slowly, it came down the steps.
“Pa?” she whispered huskily, doubting almost that it was he. “It’s me—Katie Scarlett. I’ve come home.”
Gerald moved toward her, silent as a sleepwalker, his stiff leg dragging. He came close to her, looking at her in a dazed way as if he believed she was part of a dream. Putting out his hand, he laid it on her shoulder. Scarlett felt it tremble, tremble as if he had been awakened from a nightmare into a half-sense of reality.
“Daughter,” he said with an effort “Daughter.”
Then he was silent
Why—he’s an old man! thought Scarlett
Gerald’s shoulders sagged. In the face which she could only see dimly, there was none of the virility, the restless vitality of Gerald, and the eyes that looked into hers had almost the same fear-stunned look that lay in little Wade’s eyes. He was only a little old man and broken.
And now, fear of unknown things seized her, leaped swiftly out of the darkness at her and she could only stand and stare at him, all the flood of questioning dammed up at her lips.
From the wagon the faint wailing sounded again and Gerald seemed to rouse himself with an effort“It’s Melanie and her baby,” whispered Scarlett rapidly. “She’s very ill—I brought her home.”
Gerald dropped his hand from her arm and straightened his shoulders. As he moved slowly to the side of the wagon, there was a ghostly semblance of the old host of Tara welcoming guests, as if Gerald spoke words from out of shadowy memory.
“Cousin Melanie!”
Melanie’s voice murmured indistinctly.
“Cousin Melanie, this is your home. Twelve Oaks is burned. You must stay with us.”
Thoughts of Melanie’s prolonged suffering spurred Scarlett to action. The present was with her again, the necessity of laying Melanie and her child on a soft bed and doing those small things for her that could be done.
“She must be carried. She can’t walk.”
There was a scuffle of feet and a dark figure emerged from the cave of the front hall. Pork ran down the steps.
“Miss Scarlett! Miss Scarlett!” he cried.
