"In a flash I saw my chance. It was a bare chance, no more. But I knew the ways of the house--I was sure the melon would be brought in over night and put in the pantry ice-box. If there were only one melon in the ice-box I could be fairly sure it was the one I wanted. Melons didn't lie around loose in that house--every one was known, numbered, catalogued. The old man was beset by the dread that the servants would eat them, and he took a hundred mean precautions to prevent it. Yes, I felt pretty sure of my melon . . . and poisoning was much safer than shooting. It would have been the devil and all to get into the old man's bedroom without his rousing the house; but I ought to be able to break into the pantry without much trouble.
"It was a cloudy night, too--everything served me. I dined quietly, and sat down at my desk. Kate had one of her usual headaches, and went to bed early. As soon as she was gone I slipped out. I had got together a sort of disguise--red beard and queer-looking ulster. I shoved them into a bag, and went round to the garage. There was no one there but a half-drunken machinist whom I'd never seen before. That served me, too. They were always changing machinists, and this new fellow didn't even bother to ask if the car belonged to me. It was a very easy-going place. . .
"Well, I jumped in, ran up Broadway, and let the car go as soon as I was out of Harlem. Dark as it was, I could trust myself to strike a sharp pace. In the shadow of a wood I stopped a second and got into the beard and ulster. Then away again--it was just eleven-thirty when I got to Wrenfield.
"I left the car in a dark lane behind the Lenman place, and slipped through the kitchen-garden. The melon-houses winked at me through the dark--I remember thinking that they knew what I wanted to know. . . . By the stable a dog came out growling--but he nosed me out, jumped on me, and went back. . . The house was as dark as the grave. I knew everybody went to bed by ten. But there might be a prowling servant--the kitchen-maid might have come down to let in her Italian. I had to risk that, of course.
I crept around by the back door and hid in the shrubbery. Then I listened. It was all as silent as death. I crossed over to the house, pried open the pantry window and climbed in. I had a little electric lamp in my pocket, and shielding it with my cap I groped my way to the ice-box, opened it--and there was the little French melon . . . only one.
"I stopped to listen--I was quite cool. Then I pulled out my bottle of stuff and my syringe, and gave each section of the melon a hypodermic. It was all done inside of three minutes--at ten minutes to twelve I was back in the car. I got out of the lane as quietly as I could, struck a back road that skirted the village, and let the car out as soon as I was beyond the last houses. I only stopped once on the way in, to drop the beard and ulster into a pond. I had a big stone ready to weight them with and they went down plump, like a dead body--and at two o'clock I was back at my desk."
Granice stopped speaking and looked across the smoke-fumes at his listener; but Denver's face remained inscrutable.
At length he said: "Why did you want to tell me this?"
The question startled Granice. He was about to explain, as he had explained to Ascham; but suddenly it occurred to him that if his motive had not seemed convincing to the lawyer it would carry much less weight with Denver. Both were successful men, and success does not understand the subtle agony of failure. Granice cast about for another reason.
"Why, I--the thing haunts me . . . remorse, I suppose you'd call it. . ."
Denver struck the ashes from his empty pipe.
"Remorse? Bosh!" he said energetically.
Granice's heart sank. "You don't believe in--REMORSE?"
"Not an atom: in the man of action. The mere fact of your talking of remorse proves to me that you're not the man to have planned and put through such a job."
Granice groaned. "Well--I lied to you about remorse. I've never felt any."
Denver's lips tightened sceptically about his freshly-filled pipe. "What was your motive, then? You must have had one."
"I'll tell you--" And Granice began again to rehearse the story of his failure, of his loathing for life. "Don't say you don't believe me this time . . . that this isn't a real reason!" he stammered out piteously as he ended.
Denver meditated. "No, I won't say that. I've seen too many queer things. There's always a reason for wanting to get out of life--the wonder is that we find so many for staying in!"
Granice's heart grew light. "Then you DO believe me?" he faltered.
"Believe that you're sick of the job? Yes. And that you haven't the nerve to pull the trigger? Oh, yes--that's easy enough, too.
But all that doesn't make you a murderer--though I don't say it proves you could never have been one."
"I HAVE been one, Denver--I swear to you."
"Perhaps." He meditated. "Just tell me one or two things."
"Oh, go ahead. You won't stump me!" Granice heard himself say with a laugh.
"Well--how did you make all those trial trips without exciting your sister's curiosity? I knew your night habits pretty well at that time, remember. You were very seldom out late. Didn't the change in your ways surprise her?"
"No; because she was away at the time. She went to pay several visits in the country soon after we came back from Wrenfield, and was only in town for a night or two before--before I did the job."
"And that night she went to bed early with a headache?"
"Yes--blinding. She didn't know anything when she had that kind.
And her room was at the back of the flat."
Denver again meditated. "And when you got back--she didn't hear you? You got in without her knowing it?"
"Yes. I went straight to my work--took it up at the word where I'd left off--WHY, DENVER, DON'T YOU REMEMBER?" Granice suddenly, passionately interjected.
"Remember--?"
"Yes; how you found me--when you looked in that morning, between two and three . . . your usual hour . . .?"
"Yes," the editor nodded.
