And now everybody has gone: the colonnades are empty and the noise of the dynamos has ceased. Midday approaches with its torpor. The whole temple seems to be ablaze with rays, and I watch the clear-cut shadows cast by this forest of stone gradually shortening on the ground. The sun, which just now shone, all smiles and gaiety, upon the quay of the new town amid the uproar of the stall-keepers, the donkey drivers and the cosmopolitan passengers, casts here a sullen, impassive and consuming fire. And meanwhile the shadows shorten--and just as they do every day, beneath this sky which is never overcast, just as they have done for five and thirty centuries, these columns, these friezes and this temple itself, like a mysterious and solemn sundial, record patiently on the ground the slow passing of the hours. Verily for us, the ephemerae of thought, this unbroken continuity of the sun of Egypt has more of melancholy even than the changing, overcast skies of our climate.
And now, at last, the temple is restored to solitude and all noise in the neighbourhood has ceased.
An avenue bordered by very high columns, of which the capitals are in the form of the full-blown flowers of the papyrus, leads me to a place shut in and almost terrible, where is massed an assembly of colossi.
Two, who, if they were standing, would be quite ten yards in height, are seated on thrones on either side of the entrance. The others, ranged on the three sides of the courtyard, stand upright behind colonnades, but look as if they were about to issue thence and to stride rapidly towards me. Some broken and battered, have lost their faces and preserve only their intimidating attitude. Those that remain intact--white faces beneath their Sphinx's headgear--open their eyes wide and smile.
This was formerly the principal entrance, and the office of these colossi was to welcome the multitudes. But now the gates of honour flanked by obelisks of red granite, are obstructed by a litter of enormous ruins. And the courtyard has become a place voluntarily closed, where nothing of the outside world is any longer to be seen.
In moments of silence, one can abstract oneself from all the neighbouring modern things, and forget the hour, the day, the century even, in the midst of these gigantic figures, whose smile disdains the flight of ages. The granites within which we are immured--and in such terrible company--shut out everything save the point of an old neighbouring minaret which shows now against the blue of the sky: a humble graft of Islam which grew here amongst the ruins some centuries ago, when the ruins themselves had already subsisted for three thousand years--a little mosque built on a mass of debris, which it new protects with its inviolability. How many treasures and relics and documents are hidden and guarded by this mosque of the peristyle! For none would dare to dig in the ground within its sacred walls.
Gradually the silence of the temple becomes profound. And if the shortened shadows betray the hour of noon, there is nothing to tell to what millennium that hour belongs. The silences and middays like to this, which have passed before the eyes of these giants ambushed in their colonnades--who could count them?
High above us, lost in the incandescent blue, soar the birds of prey--and they were there in the times of the Pharaohs, displaying in the air identical plumages, uttering the same cries. The beasts and plants, in the course of time, have varied less than men, and remain unchanged in the smallest details.
Each of the colossi around me--standing there proudly with one leg advanced as if for a march, heavy and sure, which nothing should withstand--grasps passionately in his clenched fist, at the end of the muscular arm, a kind of buckled cross, which in Egypt was the symbol of eternal life. And this is what the decision of their movement symbolises: confident all of them in this poor bauble which they hold in their hand, they cross with a triumphant step the threshold of death. . . . "Eternal Life"--the thought of immortality--how the human soul has been obsessed by it, particularly in the periods marked by its greatest strivings! The tame submission to the belief that the rottenness of the grave is the end of all is characteristic of ages of decadence and mediocrity.
The three similar giants, little damaged in the course of their long existence, who align the eastern side of this courtyard strewn with blocks, represent, as indeed do all the others, that same Ramses II., whose effigy was multiplied so extravagantly at Thebes and Memphis.
But these three have preserved a powerful and impetuous life. They might have been carved and polished yesterday. Between the monstrous reddish pillars, they look like white apparitions issuing from their embrasure of columns and advancing together like soldiers at manoeuvres. The sun at this moment falls perpendicularly on their heads and strange headgear, details their everlasting smile, and then sheds itself on their shoulders and their naked torso, exaggerating their athletic muscles. Each holding in his hand the symbolical cross, the three giants rush forward with a formidable stride, heads raised, smiling, in a radiant march into eternity.
Oh! this midday sun, that now pours down upon the white faces of these giants, and displaces ever so slowly the shadows cast upon their breasts by their chins and Osiridean beards. To think how often in the midst of this same silence, this same ray has fallen thus, fallen from the same changeless sky, to occupy itself in this same tranquil play!
Yes, I think that the fogs and rains of our winters, upon these stupendous ruins, would be less sad and less terrible than the calm of this eternal sunshine.
*****
Suddenly a ridiculous noise begins to make the air tremble; the dynamos of the Agencies have been put in motion, and ladies in green spectacles arrive, a charming throng, with guidebooks and cameras. The tourists, in short, are come out of their hotels, at the same hour as the flies awake. And the midday peace of Luxor has come to an end.
