"Yesterday you were unkind and ungallant. How could I smile when you seemed so stern?"
"Yesterday I was not alone with you. How could I say what lay next my heart, when indifferent ears could catch the words that were meant only for you?"
"Ah, monsieur, do they teach you in England how to make pretty speeches?"
"No, mademoiselle, that is an instinct that comes into birth by the fire of a woman's eyes."
Mademoiselle Lange was sitting upon a small sofa of antique design, with cushions covered in faded silks heaped round her pretty head. Armand thought that she looked like that carved cameo which his sister Marguerite possessed.
He himself sat on a low chair at some distance from her. He had brought her a large bunch of early violets, for he knew that she was fond of flowers, and these lay upon her lap, against the opalescent grey of her gown.
She seemed a little nervous and agitated, his obvious admiration bringing a ready blush to her cheeks.
The room itself appeared to Armand to be a perfect frame for the charming picture which she presented. The furniture in it was small and old; tiny tables of antique Vernis-Martin, softly faded tapestries, a pale-toned Aubusson carpet. Everything mellow and in a measure pathetic. Mademoiselle Lange, who was an orphan, lived alone under the duennaship of a middle-aged relative, a penniless hanger-on of the successful young actress, who acted as her chaperone, housekeeper, and maid, and kept unseemly or over-bold gallants at bay.
She told Armand all about her early life, her childhood in the backshop of Maitre Meziere, the jeweller, who was a relative of her mother's; of her desire for an artistic career, her struggles with the middle-class prejudices of her relations, her bold defiance of them, and final independence.
She made no secret of her humble origin, her want of education in those days; on the contrary, she was proud of what she had accomplished for herself. She was only twenty years of age, and already held a leading place in the artistic world of Paris.
Armand listened to her chatter, interested in everything she said, questioning her with sympathy and discretion. She asked him a good deal about himself, and about his beautiful sister Marguerite, who, of course, had been the most brilliant star in that most brilliant constellation, the Comedie Francaise. She had never seen Marguerite St. Just act, but, of course, Paris still rang with her praises, and all art-lovers regretted that she should have married and left them to mourn for her.
Thus the conversation drifted naturally back to England.
Mademoiselle professed a vast interest in the citizen's country of adoption.
"I had always," she said, "thought it an ugly country, with the noise and bustle of industrial life going on everywhere, and smoke and fog to cover the landscape and to stunt the trees."
"Then, in future, mademoiselle," he replied, "must you think of it as one carpeted with verdure, where in the spring the orchard trees covered with delicate blossom would speak to you of fairyland, where the dewy grass stretches its velvety surface in the shadow of ancient monumental oaks, and ivy-covered towers rear their stately crowns to the sky."
"And the Scarlet Pimpernel? Tell me about him, monsieur."
"Ah, mademoiselle, what can I tell you that you do not already know? The Scarlet Pimpernel is a man who has devoted his entire existence to the benefit of suffering mankind. He has but one thought, and that is for those who need him; he hears but one sound the cry of the oppressed."
"But they do say, monsieur, that philanthropy plays but a sorry part in your hero's schemes. They aver that he looks on his own efforts and the adventures through which he goes only in the light of sport."
"Like all Englishmen, mademoiselle, the Scarlet Pimpernel is a little ashamed of sentiment. He would deny its very existence with his lips, even whilst his noble heart brimmed over with it.
Sport? Well! mayhap the sporting instinct is as keen as that of charity--the race for lives, the tussle for the rescue of human creatures, the throwing of a life on the hazard of a die."
"They fear him in France, monsieur. He has saved so many whose death had been decreed by the Committee of Public Safety."
"Please God, he will save many yet."
"Ah, monsieur, the poor little boy in the Temple prison!"
"He has your sympathy, mademoiselle?"
"Of every right-minded woman in France, monsieur. Oh!" she added with a pretty gesture of enthusiasm, clasping her hands together, and looking at Armand with large eyes filled with tears, "if your noble Scarlet Pimpernel will do aught to save that poor innocent lamb, I would indeed bless him in my heart, and help him with all my humble might if I could."
"May God's saints bless you for those words, mademoiselle," he said, whilst, carried away by her beauty, her charm, her perfect femininity, he stooped towards her until his knee touched the carpet at her feet. "I had begun to lose my belief in my poor misguided country, to think all men in France vile, and all women base. I could thank you on my knees for your sweet words of sympathy, for the expression of tender motherliness that came into your eyes when you spoke of the poor forsaken Dauphin in the Temple."
She did not restrain her tears; with her they came very easily, just as with a child, and as they gathered in her eyes and rolled down her fresh cheeks they iii no way marred the charm of her face. One hand lay in her lap fingering a diminutive bit of cambric, which from time to time she pressed to her eyes. The other she had almost unconsciously yielded to Armand.
The scent of the violets filled the room. It seemed to emanate from her, a fitting attribute of her young, wholly unsophisticated girlhood. The citizen was goodly to look at; he was kneeling at her feet, and his lips were pressed against her hand.
