登陆注册
19413200000019

第19章

"In the first ages of Christianity, when the fathers of the Church, the Jews, and the Heathen philosophers were so warmly engaged in controversy, there is reason to believe that pious frauds were not uncommon: and that when one party suspected forgeries, instead of an attempt at confutation, which might have been difficult, they had recourse perhaps to a countermine: and either invented altogether, or eked out some obscure traditional scraps by the embellishments of fancy.

When we consider, amongst many literary impositions of later times, that Psalmanazar's history of Formosa was, even in this enlightened age and country (England, about 1735), considered by our most learned men as unquestionably authentic, till the confession of the author discovered the secret, I think it is not difficult to conceive how forgeries of remote events, before the invention of printing and the general diffusion of knowledge might gain an authority, and especially with the zealous, hardly inferior to that of the most genuine history."De Vinne, however, in his "Invention of Printing,"New York, 1878, best explains the status quo of those times, relative not only to book (MSS.) making, and methods of circulation, but the causes which led up to their eventual disappearance and the literary darkness which ensued. His remarks are so pertinent that they are quoted at length:

"The civilization of ancient Rome did not require printing. If all the processes of typography had been revealed to its scholars the art would not have been used. The wants of readers and writers were abundantly supplied by the pen. Papyrus paper was cheap, and scribes were numerous; Rome had more booksellers than it needed, and books were made faster than they could be sold. The professional scribes were educated slaves, who, fed and clothed at nominal expense, and organized under the direction of wealthy publishers, were made so efficient in the production of books, that typography, in an open competition, could have offered few advantages.

"Our knowledge of the Roman organization of labor in the field of bookmaking is not as precise as could be wished; but the frequent notices of books, copyists and publishers, made by many authors during the first century, teach us that books were plentiful. Horace, the elegant and fastidious man of letters, complained that his books were too common, and that they were sometimes found in the hands of vulgar snobs for whose entertainment they were not written. Martial, the jovial man of the world, boasted that his books of stinging epigrams were to be found in everybody's hands or pockets. Books were read not only in the libraries, but at the baths, in the porticoes of houses, at private dinners and in mixed assemblies. The business of bookmaking was practised by too many people, and some were incompetent. Lucian, who had a keen perception of pretense in every form, ridicules the publishers as ignoramuses. Strabo, who probably wrote illegibly, says that the books of booksellers were incorrect.

"The price of books made by slave labor was necessarily low. Martial says that his first book of epigrams was sold in plain binding for six sesterces, about twenty-four cents of American money; the same book in sumptuous binding was valued at five denarii, about eighty cents. He subsequently complained that his thirteenth book was sold for only four sesterces, about sixteen cents. He frankly admits that half of this sum was profit, but intimates, somewhat ungraciously, that the publisher Tryphon gave him too small a share. Of the merits of this old disagreement between the author and publisher we have not enough of facts to justify an opinion.

We learn that some publishers, like Tryphon and the brothers Sosii, acquired wealth, but there are many indications that publishing was then, as it is now, one of the most speculative kinds of business.

One writer chuckles over the unkind fate that sent so many of the unsold books of rival authors from the warehouses of the publisher, to the shops of grocers and bakers, where they were used to wrap up pastry and spices; another writer says that the unsold stock of a bookseller was sometimes bought by butchers and trunk makers.

"The Romans not only had plenty of books but they had a manuscript daily newspaper, the Acta Diurna, which seems to have been a record of the proceedings of the senate. We do not know how it was written, nor how it was published, but it was frequently mentioned by contemporary writers as the regular official medium for transmitting intelligence. It was sent to subscribers in distant cities, and was, sometimes, read to an assembled army. Cicero mentions the Acta as a sheet in which he expected to find the city news and gossip about marriages and divorces.

"With the decline of power in the Roman empire came the decline of literature throughout the world. In the sixth century the business of bookmaking had fallen into hopeless decay. The books that had been written were seldom read, and the number of readers diminished with every succeeding generation. Ignorance pervaded in all ranks of society. The Emperor Justin I, who reigned between the years 518 and 527, could not write, and was obliged to sign state papers with the form of stencil plate that had been recommended by Quintilian.

同类推荐
  • Idle Ideas in 1905

    Idle Ideas in 1905

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 道行般若波罗蜜经

    道行般若波罗蜜经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 乡塾正误幼学篇

    乡塾正误幼学篇

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 江南鱼鲜品

    江南鱼鲜品

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • THE MASTERY OF THE AIR

    THE MASTERY OF THE AIR

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 远古诛神剑

    远古诛神剑

    在江逸面前,没有天才!没有强者!在江逸面前,纵然是神,也唯有臣服!
  • 我会仙术

    我会仙术

    老子会仙术,谁也挡不住。老子不是上帝,但可以帮上帝干点活,解救解救深陷苦难的美女们。女总裁爱上我,女学生爱上我,天啊,竟然连十五六岁的小萝莉都爱上了我。老子只能说一句:“让美女来得更猛烈些吧。”
  • 活着是一种修行(MBook随身读)

    活着是一种修行(MBook随身读)

    这是一本让当下社会中的人们转换心念、远离烦恼的幸福顿悟书和心灵安顿书。本书从生命、信仰、抉择、自我、挫折、欲望等最受人们关注的人生关键问题着手,通过对这些问题的精彩分析和诚恳而深入的解读,让读者收获心灵的宁静,在繁华纷乱的世间拥有一个圆满的人生。
  • 圣之天痕

    圣之天痕

    不愿被尘世束缚,再次被感动,担负起本该属于自己责任,万年平和的打破,七之圣者再临
  • 网游之御龙耀九天

    网游之御龙耀九天

    东汉末年,纷乱并起,豪杰并立,枭雄展露,辩才无数,兵家、儒家、法家、道家、阴阳等皆悉数粉墨登场,争雄一时,比之战国亦不逊色,当现代人走入三国,是否能决定历史走向、九大诸侯国随之而生,最终能否将实现九大诸侯国的统一,成就玩家自己的三国传奇。
  • 神头

    神头

    因故入牢,受尽折磨,是人生终结?不——是再生资质平平,且误修行,是要认命?不——是要逆天改命。千族万道,笑我成魔,步步相逼,意当如何?好说——杀了便是。有魔乱道,有神沉落,血腥争雄,如何抉择。简单——斩尽便可。浴血神路,满是尸骨!剑意激荡之处,便是神的巅峰。
  • 画骨虐恋之再续前缘

    画骨虐恋之再续前缘

    花千骨的重生之恋将会怎样?爱,就是这么复杂,不知从哪里开始,也永远没有尽头,没有结尾,有的终成眷属,有的两首相望,有的却终究不能在一起。。。白子画,花千骨又会怎样?
  • 上一站的故事

    上一站的故事

    这就是季安,安安。一双大大的眼睛,甜甜糯糯的声线,犹如漫画美少女般梦幻而精灵,弯弯的嘴角笑起来没心没肺,有如四月天的阳光,仿佛能够融化世间所有阴霾。可爱,是美少女和美笑女的兼容版。小绵羊一样人畜无害的外表,实际上性格豪爽做事果断。
  • 半夏是殇夜未央

    半夏是殇夜未央

    谁的年少不轻狂,到头来尽是殇。在花开的那一夏,留下了许多故事。本文是短篇小说集,主要以虐心文为主。喜欢虐心小说的亲们可以进来看看。
  • 爱就宅一起:我家老公腹黑男

    爱就宅一起:我家老公腹黑男

    她是呆萌的小妻子,他是腹黑的精英男,婚床上,她对英俊的老公迫不及待的伸出狼爪,不想换来的却是痛彻心扉的背叛。白小米当然不愿屈服命运的魔掌,她要跳下婚床,抓住爱情。且看宅女老婆翻身,勇斗闷骚老公,让真爱来的更轰烈!