One day, when Goneril, much browner and rosier for a week among the mountains, came in to lunch at noon, she found no signs of that usually regular repast. The little maid was on her knees polishing the floor; Miss Prunty was scolding, dusting, ordering dinner, arranging vases, all at once; strangest of all, Madame Petrucci had taken the oil-cloth cover from her grand piano, and, seated before it, was practising her sweet and faded notes, unheedful of the surrounding din and business.
"What's the matter?" cried Goneril.
"We expect the signorino," said Miss Prunty. "And is he going to stay here?""Don't be a fool!" snapped that lady; and then she added, "Go into the kitchen and get some of the pasty and some bread and cheese--there's a good girl.""All right!" said Goneril.
Madame Petrucci stopped her vocalising. "You shall have all the better a dinner to compensate you, my Gonerilla!" She smiled sweetly, and then again became Zerlina.
Goneril cut her lunch, and took it out of doors to share with her companion, Angiolino. He was harvesting the first corn under the olives, but at noon it was too hot to work. Sitting still there was, however, a cool breeze that gently stirred the sharp-edged olive- leaves.
Angiolino lay down at full length and munched his bread and cheese in perfect happiness. Goneril kept shifting about to get herself into the narrow shadow cast by the split and writhen trunk.
"How aggravating it is!" she cried. "In England, where there's no sun, there's plenty of shade; and here, where the sun is like a mustard- plaster on one's back, the leaves are all set edgewise on purpose that they sha'n't cast any shadow!"Angiolino made no answer to this intelligent remark.
"He is going to sleep again!" cried Goneril, stopping her lunch in despair. "He is going to sleep, and there are no end of things I want toknow. Angiolino!"
"/Si/, signora," murmured the boy. "Tell me about Signor Graziano." "He is our padrone; he is never here.""But he is coming to-day. Wake up, wake up, Angiolino. I tell you, he is on the way!""Between life and death there are so many combinations," drawled the boy, with Tuscan incredulity and sententiousness.
"Ah!" cried the girl, with a little shiver of impatience. "Is he young?" "/Che!/""Is he old then?" "/Neppure!/"
"What is he like? He must be /something/.""He's our padrone," repeated Angiolino, in whose imagination Signor Graziano could occupy no other place.
"How stupid you are!" exclaimed the young English girl. "Maybe," said Angiolino, stolidly.
"Is he a good padrone? Do you like him?"
"Rather!" The boy smiled and raised himself on one elbow; his eyes twinkled with good-humoured malice.
"My /babbo/ had much better wine than /quel signore/," he said. "But that is wrong!" cried Goneril, quite shocked.
"Who knows?"
After this conversation flagged. Goneril tried to imagine what a great musician could be like: long hair, of course; her imagination did not get much beyond the hair. He would of course be much older now than his portrait. Then she watched Angiolino cutting the corn, and learned how to tie the swathes together. She was occupied in this useful employment when the noise of wheels made them both stop and look over the wall.
"Here's the padrone!" cried the boy.
"Oh, he is old!" said Goneril. "He is old and brown, like a coffee- bean.""To be old and good is better than youth with malice," suggested Angiolino, by way of consolation.
"I suppose so," acquiesced Goneril.
Nevertheless she went in to dinner a little disappointed.
