Then he would dart into the hut during the excitement, throttle the chief screamer, and be gone into the jungle before the blacks could gather their scattered nerves for an assault.
Many times had Tarzan behaved similarly in the village of Mbonga, the chief. His mysterious and unexpected appearances always filled the breasts of the poor, superstitious blacks with the panic of terror; never, it seemed, could they accustom themselves to the sight of him. It was this terror which lent to the adventures the spice of interest and amusement which the human mind of the ape-man craved. Merely to kill was not in itself sufficient. Accustomed to the sight of death, Tarzan found no great pleasure in it. Long since had he avenged the death of Kala, but in the accomplishment of it, he had learned the excitement and the pleasure to be derived from the baiting of the blacks. Of this he never tired.
It was just as he was about to spring forward with a savage roar that a figure appeared in the doorway of the hut.
It was the figure of the wailer whom he had come to still, the figure of a young woman with a wooden skewer through the split septum of her nose, with a heavy metal ornament depending from her lower lip, which it had dragged down to hideous and repulsive deformity, with strange tattooing upon forehead, cheeks, and breasts, and a wonderful coiffure built up with mud and wire.
A sudden flare of the fire threw the grotesque figure into high relief, and Tarzan recognized her as Momaya, the mother of Tibo. The fire also threw out a fitful flame which carried to the shadows where Tarzan lurked, picking out his light brown body from the surrounding darkness.
Momaya saw him and knew him. With a cry, she leaped forward and Tarzan came to meet her. The other women, turning, saw him, too; but they did not come toward him.
Instead they rose as one, shrieked as one, fled as one.
Momaya threw herself at Tarzan's feet, raising supplicating hands toward him and pouring forth from her mutilated lips a perfect cataract of words, not one of which the ape-man comprehended. For a moment he looked down upon the upturned, frightful face of the woman.
He had come to slay, but that overwhelming torrent of speech filled him with consternation and with awe.
He glanced about him apprehensively, then back at the woman.
A revulsion of feeling seized him. He could not kill little Tibo's mother, nor could he stand and face this verbal geyser. With a quick gesture of impatience at the spoiling of his evening's entertainment, he wheeled and leaped away into the darkness. A moment later he was swinging through the black jungle night, the cries and lamentations of Momaya growing fainter in the distance.
It was with a sigh of relief that he finally reached a point from which he could no longer hear them, and finding a comfortable crotch high among the trees, composed himself for a night of dreamless slumber, while a prowling lion moaned and coughed beneath him, and in far-off England the other Lord Greystoke, with the assistance of a valet, disrobed and crawled between spotless sheets, swearing irritably as a cat meowed beneath his window.
As Tarzan followed the fresh spoor of Horta, the boar, the following morning, he came upon the tracks of two Gomangani, a large one and a small one. The ape-man, accustomed as he was to questioning closely all that fell to his perceptions, paused to read the story written in the soft mud of the game trail. You or I would have seen little of interest there, even if, by chance, we could have seen aught.
Perhaps had one been there to point them out to us, we might have noted indentations in the mud, but there were countless indentations, one overlapping another into a confusion that would have been entirely meaningless to us.
To Tarzan each told its own story. Tantor, the elephant, had passed that way as recently as three suns since.
Numa had hunted here the night just gone, and Horta, the boar, had walked slowly along the trail within an hour;but what held Tarzan's attention was the spoor tale of the Gomangani. It told him that the day before an old man had gone toward the north in company with a little boy, and that with them had been two hyenas.
Tarzan scratched his head in puzzled incredulity.
He could see by the overlapping of the footprints that the beasts had not been following the two, for sometimes one was ahead of them and one behind, and again both were in advance, or both were in the rear. It was very strange and quite inexplicable, especially where the spoor showed where the hyenas in the wider portions of the path had walked one on either side of the human pair, quite close to them.
Then Tarzan read in the spoor of the smaller Gomangani a shrinking terror of the beast that brushed his side, but in that of the old man was no sign of fear.
At first Tarzan had been solely occupied by the remarkable juxtaposition of the spoor of Dango and Gomangani, but now his keen eyes caught something in the spoor of the little Gomangani which brought him to a sudden stop.
It was as though, finding a letter in the road, you suddenly had discovered in it the familiar handwriting of a friend.
"Go-bu-balu!" exclaimed the ape-man, and at once memory flashed upon the screen of recollection the supplicating attitude of Momaya as she had hurled herself before him in the village of Mbonga the night before.
Instantly all was explained--the wailing and lamentation, the pleading of the black mother, the sympathetic howling of the shes about the fire. Little Go-bu-balu had been stolen again, and this time by another than Tarzan.
Doubtless the mother had thought that he was again in the power of Tarzan of the Apes, and she had been beseeching him to return her balu to her.
Yes, it was all quite plain now; but who could have stolen Go-bu-balu this time? Tarzan wondered, and he wondered, too, about the presence of Dango. He would investigate.
The spoor was a day old and it ran toward the north.
