It was cold in the street. There was a wind like ice. People went flitting by, very fast; the men walked like scissors; the women trod like cats. And nobody knew--nobody cared. Even if she broke down, if at last, after all these years, she were to cry, she'd find herself in the lock-up as like as not.
But at the thought of crying it was as though little Lennie leapt in his gran's arms. Ah, that's what she wants to do, my dove. Gran wants to cry.
If she could only cry now, cry for a long time, over everything, beginning with her first place and the cruel cook, going on to the doctor's, and then the seven little ones, death of her husband, the children's leaving her, and all the years of misery that led up to Lennie. But to have a proper cry over all these things would take a long time. All the same, the time for it had come. She must do it. She couldn't put it off any longer; she couldn't wait any more...Where could she go?
"She's had a hard life, has Ma Parker." Yes, a hard life, indeed! Her chin began to tremble; there was no time to lose. But where? Where?
She couldn't go home; Ethel was there. It would frighten Ethel out of her life. She couldn't sit on a bench anywhere; people would come arsking her questions. She couldn't possibly go back to the gentleman's flat; she had no right to cry in strangers' houses. If she sat on some steps a policeman would speak to her.
Oh, wasn't there anywhere where she could hide and keep herself to herself and stay as long as she liked, not disturbing anybody, and nobody worrying her? Wasn't there anywhere in the world where she could have her cry out-- at last?
Ma Parker stood, looking up and down. The icy wind blew out her apron into a balloon. And now it began to rain. There was nowhere.
7. MARRIAGE A LA MODE.
On his way to the station William remembered with a fresh pang of disappointment that he was taking nothing down to the kiddies. Poor little chaps! It was hard lines on them. Their first words always were as they ran to greet him, "What have you got for me, daddy?" and he had nothing.
He would have to buy them some sweets at the station. But that was what he had done for the past four Saturdays; their faces had fallen last time when they saw the same old boxes produced again.
And Paddy had said, "I had red ribbing on mine bee-fore!"
And Johnny had said, "It's always pink on mine. I hate pink."
But what was William to do? The affair wasn't so easily settled. In the old days, of course, he would have taken a taxi off to a decent toyshop and chosen them something in five minutes. But nowadays they had Russian toys, French toys, Serbian toys--toys from God knows where. It was over a year since Isabel had scrapped the old donkeys and engines and so on because they were so "dreadfully sentimental" and "so appallingly bad for the babies' sense of form."
"It's so important," the new Isabel had explained, "that they should like the right things from the very beginning. It saves so much time later on.
Really, if the poor pets have to spend their infant years staring at these horrors, one can imagine them growing up and asking to be taken to the Royal Academy."
And she spoke as though a visit to the Royal Academy was certain immediate death to any one...
"Well, I don't know," said William slowly. "When I was their age I used to go to bed hugging an old towel with a knot in it."
The new Isabel looked at him, her eyes narrowed, her lips apart.
"Dear William! I'm sure you did!" She laughed in the new way.
Sweets it would have to be, however, thought William gloomily, fishing in his pocket for change for the taxi-man. And he saw the kiddies handing the boxes round--they were awfully generous little chaps--while Isabel's precious friends didn't hesitate to help themselves...
What about fruit? William hovered before a stall just inside the station.
What about a melon each? Would they have to share that, too? Or a pineapple, for Pad, and a melon for Johnny? Isabel's friends could hardly go sneaking up to the nursery at the children's meal-times. All the same, as he bought the melon William had a horrible vision of one of Isabel's young poets lapping up a slice, for some reason, behind the nursery door.
With his two very awkward parcels he strode off to his train. The platform was crowded, the train was in. Doors banged open and shut. There came such a loud hissing from the engine that people looked dazed as they scurried to and fro. William made straight for a first-class smoker, stowed away his suit-case and parcels, and taking a huge wad of papers out of his inner pocket, he flung down in the corner and began to read.
"Our client moreover is positive...We are inclined to reconsider...in the event of--" Ah, that was better. William pressed back his flattened hair and stretched his legs across the carriage floor. The familiar dull gnawing in his breast quietened down. "With regard to our decision--" He took out a blue pencil and scored a paragraph slowly.
Two men came in, stepped across him, and made for the farther corner. A young fellow swung his golf clubs into the rack and sat down opposite. The train gave a gentle lurch, they were off. William glanced up and saw the hot, bright station slipping away. A red-faced girl raced along by the carriages, there was something strained and almost desperate in the way she waved and called. "Hysterical!" thought William dully. Then a greasy, black-faced workman at the end of the platform grinned at the passing train. And William thought, "A filthy life!" and went back to his papers.
When he looked up again there were fields, and beasts standing for shelter under the dark trees. A wide river, with naked children splashing in the shallows, glided into sight and was gone again. The sky shone pale, and one bird drifted high like a dark fleck in a jewel.
