But whose corpse? And what functions? Could this be a West End hotel, Racksole's own hotel, in the very heart of London, the best-policed city in the world? It seemed incredible, impossible;yet so it was. Once more he remembered what Felix Babylon had said to him and realized the truth of the saying anew. The proprietor of a vast and complicated establishment like the Grand Babylon could never know a tithe of the extraordinary and queer occurrences which happened daily under his very nose; the atmosphere of such a caravanserai must necessarily be an atmosphere of mystery and problems apparently inexplicable.
Nevertheless, Racksole thought that Fate was carrying things with rather a high hand when she permitted his chef to spend the night hours over a man's corpse in his State bedroom, this sacred apartment which was supposed to be occupied only by individuals of Royal Blood. Racksole would not have objected to a certain amount of mystery, but he decidedly thought that there was a little too much mystery here for his taste. He thought that even Felix Babylon would have been surprised at this.
The electric chandelier in the centre of the ceiling was not lighted;only the two lights on either side of the washstand were switched on, and these did not sufficiently illuminate the features of the man on the bed to enable Racksole to see them clearly. In vain the millionaire strained his eyes; he could only make out that the corpse was probably that of a young man. Just as he was wondering what would be the best course of action to pursue, he saw Rocco with a square-shaped black box in his hand. Then the chef switched off the two electric lights, and the State bedroom was in darkness. In that swift darkness Racksole heard Rocco spring on to the bed. Another half-dozen moments of suspense, and there was a blinding flash of white, which endured for several seconds, and showed Rocco standing like an evil spirit over the corpse, the black box in one hand and a burning piece of aluminium wire in the other. The aluminium wire burnt out, and darkness followed blacker than before.
Rocco had photographed the corpse by flashlight.
But the dazzling flare which had disclosed the features of the dead man to the insensible lens of the camera had disclosed them also to Theodore Racksole. The dead man was Reginald Dimmock!
Stung into action by this discovery, Racksole tried to find the exit from his place of concealment. He felt sure that there existed some way out into the State bathroom, but he sought for it fruitlessly, groping with both hands and feet. Then he decided that he must ascend the rope-ladder, make haste for the first-floor corridor, and intercept Rocco when he left the State apartments. It was a painful and difficult business to ascend that thin and yielding ladder in such a confined space, but Racksole was managing it very nicely, and had nearly reached the top, when, by some untoward freak of chance, the ladder broke above his weight, and he slipped ignominiously down to the bottom of the wooden tube. Smothering an excusable curse, Racksole crouched, baffled. Then he saw that the force of his fall had somehow opened a trap-door at his feet.
He squeezed through, pushed open another tiny door, and in another second stood in the State bathroom. He was dishevelled, perspiring, rather bewildered; but he was there. In the next second he had resumed absolute command of all his faculties.
Strange to say, he had moved so quietly that Rocco had apparently not heard him. He stepped noiselessly to the door between the bathroom and the bedroom, and stood there in silence. Rocco had switched on again the lights over the washstand and was busy with his utensils.
Racksole deliberately coughed.
