THE week in town had been sultry, and the men, in the Sunday emancipation of white flannel and duck, filled the deck-chairs of the yacht with their outstretched apathy, following, through a mist of cigarette- smoke, the flitting inconsequences of the women. The part was a small one--Flamel had few intimate friends--but composed of more heterogeneous atoms than the little pools into which society usually runs. The reaction from the chief episode of his earlier life had bred in Glennard an uneasy distaste for any kind of personal saliency. Cleverness was useful in business; but in society it seemed to him as futile as the sham cascades formed by a stream that might have been used to drive a mill. He liked the collective point of view that goes with the civilized uniformity of dress-clothes, and his wife's attitude implied the same preference; yet they found themselves slipping more and more into Flamel's intimacy. Alexa had once or twice said that she enjoyed meeting clever people; but her enjoyment took the negative form of a smiling receptivity; and Glennard felt a growing preference for the kind of people who have their thinking done for them by the community.
Still, the deck of the yacht was a pleasant refuge from the heat on shore, and his wife's profile, serenely projected against the changing blue, lay on his retina like a cool hand on the nerves. He had never been more impressed by the kind of absoluteness that lifted her beauty above the transient effects of other women, making the most harmonious face seem an accidental collocation of features.
The ladies who directly suggested this comparison were of a kind accustomed to take similar risks with more gratifying results. Mrs. Armiger had in fact long been the triumphant alternative of those who couldn't "see" Alexa Glennard's looks; and Mrs. Touchett's claims to consideration were founded on that distribution of effects which is the wonder of those who admire a highly cultivated country. The third lady of the trio which Glennard's fancy had put to such unflattering uses, was bound by circumstances to support the claims of the other two. This was Mrs. Dresham, the wife of the editor of the Radiator.Mrs. Dresham wasa lady who had rescued herself from social obscurity by assuming the role of her husband's exponent and interpreter; and Dresham's leisure being devoted to the cultivation of remarkable women, his wife's attitude committed her to the public celebration of their remarkableness. For the conceivable tedium of this duty, Mrs. Dresham was repaid by the fact that there were people who took HER for a remarkable woman; and who in turn probably purchased similar distinction with the small change of her reflected importance. As to the other ladies of the party, they were simply the wives of some of the men--the kind of women who expect to be talked to collectively and to have their questions left unanswered.
Mrs. Armiger, the latest embodiment of Dresham's instinct for the remarkable, was an innocent beauty who for years had distilled dulness among a set of people now self-condemned by their inability to appreciate her. Under Dresham's tutelage she had developed into a "thoughtful woman," who read his leaders in the Radiator and bought the books he recommended. When a new novel appeared, people wanted to know what Mrs. Armiger thought of it; and a young gentleman who had made a trip in Touraine had recently inscribed to her the wide-margined result of his explorations.
Glennard, leaning back with his head against the rail and a slit of fugitive blue between his half-closed lids, vaguely wished she wouldn't spoil the afternoon by making people talk; though he reduced his annoyance to the minimum by not listening to what was said, there remained a latent irritation against the general futility of words.
His wife's gift of silence seemed to him the most vivid commentary on the clumsiness of speech as a means of intercourse, and his eyes had turned to her in renewed appreciation of this finer faculty when Mrs. Armiger's voice abruptly brought home to him the underrated potentialities of language.
"You've read them, of course, Mrs. Glennard?" he heard her ask; and, in reply to Alexa's vague interrogation--"Why, the 'Aubyn Letters'--it's the only book people are talking of this week."Mrs. Dresham immediately saw her advantage. "You HAVEN'T read them? How very extraordinary!As Mrs. Armiger says, the book's inthe air; one breathes it in like the influenza." Glennard sat motionless, watching his wife.
"Perhaps it hasn't reached the suburbs yet," she said, with her unruffled smile.
"Oh, DO let me come to you, then!" Mrs. Touchett cried; "anything for a change of air! I'm positively sick of the book and I can't put it down. Can't you sail us beyond its reach, Mr. Flamel?"Flamel shook his head. "Not even with this breeze. Literature travels faster than steam nowadays. And the worst of it is that we can't any of us give up reading; it's as insidious as a vice and as tiresome as a virtue.""I believe it IS a vice, almost, to read such a book as the 'Letters,'" said Mrs. Touchett. "It's the woman's soul, absolutely torn up by the roots-- her whole self laid bare; and to a man who evidently didn't care; who couldn't have cared. I don't mean to read another line; it's too much like listening at a keyhole.""But if she wanted it published?" "Wanted it?How do we know she did?""Why, I heard she'd left the letters to the man--whoever he is-- with directions that they should be published after his death--""I don't believe it," Mrs. Touchett declared. "He's dead then, is he?" one of the men asked.
