登陆注册
20321900000010

第10章 ACRES OF DIAMONDS(9)

The best illustration I ever heard was of John Jacob Astor. You know that he made the money of the Astor family when he lived in New York.

He came across the sea in debt for his fare. But that poor boy with nothing in his pocket made the fortune of the Astor family on one principle.

Some young man here to-night will say, ``Well they could make those fortunes over in New York but they could not do it in Philadelphia!'' My friends, did you ever read that wonderful book of Riis (his memory is sweet to us because of his recent death), wherein is given his statistical account of the records taken in 1889 of 107millionaires of New York. If you read the account you will see that out of the 107 millionaires only seven made their money in New York. Out of the 107 millionaires worth ten million dollars in real estate then, 67 of them made their money in towns of less than 3,500 inhabitants. The richest man in this country to-day, if you read the real-estate values, has never moved away from a town of 3,500 inhabitants. It makes not so much difference where you are as who you are.

But if you cannot get rich in Philadelphia you certainly cannot do it in New York.

Now John Jacob Astor illustrated what can be done anywhere. He had a mortgage once on a millinery-store, and they could not sell bonnets enough to pay the interest on his money. So he foreclosed that mortgage, took possession of the store, and went into partnership with the very same people, in the same store, with the same capital. He did not give them a dollar of capital.

They had to sell goods to get any money. Then he left them alone in the store just as they had been before, and he went out and sat down on a bench in the park in the shade. What was John Jacob Astor doing out there, and in partnership with people who had failed on his own hands?

He had the most important and, to my mind, the most pleasant part of that partnership on his hands. For as John Jacob Astor sat on that bench he was watching the ladies as they went by;and where is the man who would not get rich at that business? As he sat on the bench if a lady passed him with her shoulders back and head up, and looked straight to the front, as if she did not care if all the world did gaze on her, then he studied her bonnet, and by the time it was out of sight he knew the shape of the frame, the color of the trimmings, and the crinklings in the feather. I sometimes try to describe a bonnet, but not always. I would not try to describe a modern bonnet. Where is the man that could describe one? This aggregation of all sorts of driftwood stuck on the back of the head, or the side of the neck, like a rooster with only one tail feather left. But in John Jacob Astor's day there was some art about the millinery business, and he went to the millinery-store and said to them:

``Now put into the show-window just such a bonnet as I describe to you, because I have already seen a lady who likes such a bonnet. Don't make up any more until I come back.'' Then he went out and sat down again, and another lady passed him of a different form, of different complexion, with a different shape and color of bonnet. ``Now,''

said he, ``put such a bonnet as that in the show window.'' He did not fill his show-window up town with a lot of hats and bonnets to drive people away, and then sit on the back stairs and bawl because people went to Wanamaker's to trade. He did not have a hat or a bonnet in that show-window but what some lady liked before it was made up. The tide of custom began immediately to turn in, and that has been the foundation of the greatest store in New York in that line, and still exists as one of three stores. Its fortune was made by John Jacob Astor after they had failed in business, not by giving them any more money, but by finding out what the ladies liked for bonnets before they wasted any material in making them up. I tell you if a man could foresee the millinery business he could foresee anything under heaven!

Suppose I were to go through this audience to-night and ask you in this great manufacturing city if there are not opportunities to get rich in manufacturing. ``Oh yes,'' some young man says, ``there are opportunities here still if you build with some trust and if you have two or three millions of dollars to begin with as capital.''

Young man, the history of the breaking up of the trusts by that attack upon ``big business'' is only illustrating what is now the opportunity of the smaller man. The time never came in the history of the world when you could get rich so quickly manufacturing without capital as you can now.

But you will say, ``You cannot do anything of the kind. You cannot start without capital.''

Young man, let me illustrate for a moment. Imust do it. It is my duty to every young man and woman, because we are all going into business very soon on the same plan. Young man, remember if you know what people need you have gotten more knowledge of a fortune than any amount of capital can give you.

There was a poor man out of work living in Hingham, Massachusetts. He lounged around the house until one day his wife told him to get out and work, and, as he lived in Massachusetts, he obeyed his wife. He went out and sat down on the shore of the bay, and whittled a soaked shingle into a wooden chain. His children that evening quarreled over it, and he whittled a second one to keep peace. While he was whittling the second one a neighbor came in and said:

``Why don't you whittle toys and sell them? You could make money at that.'' ``Oh,'' he said, ``Iwould not know what to make.'' ``Why don't you ask your own children right here in your own house what to make?'' ``What is the use of trying that?'' said the carpenter. ``My children are different from other people's children.''

(I used to see people like that when I taught school.) But he acted upon the hint, and the next morning when Mary came down the stairway, he asked, ``What do you want for a toy?''

同类推荐
  • THE PICTURE OF DORIAN GRAY

    THE PICTURE OF DORIAN GRAY

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • THE PORTRAIT OF A LADY

    THE PORTRAIT OF A LADY

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 玉钥匙门法

    玉钥匙门法

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 天目明本禅师杂录

    天目明本禅师杂录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 定应大师布袋和尚传

    定应大师布袋和尚传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 司杀传说

    司杀传说

    有人崇拜强者,称之为神!有人畏惧强者,称之为魔!时间流逝,岁月更迭,元始大陆上的神魔数量激增。这些被称为神魔的强者,举手之间高山夷为平地,沧海化为乌有。不经意间一场激战,数以万计的生灵涂炭,元始大陆的命运岌岌可危。一个被称为司杀者的组织悄然出现,他们专司调解神魔间的恩怨纠纷,屠灭那些为祸人间的邪恶份子。元始大陆上无尽的生灵因此得以繁衍生息。没人知道司杀者是谁发起的组织。但相传每位司杀者在位万年之后,会留下一份特殊的传承,飘然而去。有幸得到这些传承的人,无一不成为神魔中的佼佼者。
  • 价值链会计发展研究

    价值链会计发展研究

    本专著在当今会计学界已有的有益成果基础上,从价值链会计信息重构的角度下,深入研究和分析了价值链会计的基本理论、价值链视角下的管理会计方法、基于价值链的财务会计信息系统的构建以及价值链会计信息交换的方法,提出了具体的、可行的价值链会计应用模型。
  • 海岛探险的故事(世界科幻故事精选丛书)

    海岛探险的故事(世界科幻故事精选丛书)

    科幻故事,主要是描写想象中的科学或技术对社会或个人的影响的虚构性文学作品。科幻故事是西方近代文学的一种新体裁,诞生于19世纪,是欧洲工业文明崛起后特殊的文化现象之一。人类在19世纪,全面进入以科学发明和技术革命为主导的时代后,一切关注人类未来命运的文艺题材,都不可避免地要表现未来的科学技术。
  • 捡来的总裁是个宝

    捡来的总裁是个宝

    她是暗夜培养的两千人中唯一一个通过测试活下去的人。不愿就此堕落的她逃出了暗夜,原以为就此可以过上普通人的生活,谁知在遇上他后一切都变了……
  • 死亡矩阵

    死亡矩阵

    有没有觉得你的生活枯燥无味?每天总是单调的重复做着同样的事情?就好像生活只不过是一个由生到死的无力循环!只不过,这个循环有的人大,有的人小。就像一个输出值不同的程序框图。每一个人的任何一个行为步骤都被一个个框架所局限在狭小的生存空间内。起止框,输入框,处理框、执行框,判断框,也许有着无限的可能性,但是输出的结果却都是死亡。在死亡的矩阵中,没有生,只有死。
  • 韵史

    韵史

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 帅气校草的乖巧女友

    帅气校草的乖巧女友

    两姐妹进了音圣学院开始了校园的生活,可是一进学院就被音圣学院的校草孟星晨对梦月欣一见钟情,有一天他对她表白了。。。。。。。。。。他们开启了情侣之路!!
  • 错位人生

    错位人生

    一个现代男孩在不知名的情况下以投胎转世的形式在一个似是而非的古代成为高高在上的公主,开始同一个灵魂两段不同的人生的故事
  • 华夏之初——追寻祖先的足迹

    华夏之初——追寻祖先的足迹

    本书共分六章,内容包括:追寻祖先的足迹、多源的新石器时代文化、走进神秘的原始社会、原始宗教的发轫与兴盛、不朽的史前艺术、神话传说时代等。
  • 新九州传说

    新九州传说

    这里有神出鬼没的暗杀者,逍遥自在的侠士,严以利己的战士,以及心慈仁善的医师等众多职业组成的一个丰富多彩的世界。公平的竞争机会,绝不平等的实力差距,只要努力便可凌驾于万人之上。齐晟新手小白文欢迎鉴赏,评论,批评。