While the parrot's screams had rendered the mistress and her maid so uneasy, the most profound stillness and quiet reigned in the upper rooms of the little house. Not a sound interrupted the silence of this small, elegantly-furnished sitting-room. Even the sun apparently dared only to send a few stealthy beams through the windows, and the wind seemed to hold its breath in order not to shake the panes of the small chamber adjoining, venerated by all the inmates of the house as a sacred temple of art.
In this small chamber, in this temple of art, a gentleman, apparently engaged in reading, was seated at a table covered with papers and music-books, close to an open piano. He was no longer young; on the contrary, beholding only the thin white hair hanging down on his expansive and wrinkled forehead, and his stooping form, it became evident that he was an old man, nearly seventy years of age. But as soon as he raised his eyes from the paper, as soon as he turned them toward heaven with an air of blissful enthusiasm, the fire of eternal youth and radiant joyousness burst forth from those eyes; and whatever the white hair, the wrinkled forehead, the furrowed cheeks and the stooping form might tell of the long years of his life, those eyes were full of youthful ardor and strength-- only the body of this white haired man was old; in his soul he had remained young--a youth of fervid imagination, procreative power, and nervous activity.
This venerable man with the soul, the heart, and the eyes of a youth, was Joseph Haydn, the great composer, whose glory, even at that time, filled the whole world, although he had not yet written his greatest masterpieces--the "Creation" and the "Seasons."
He was working to-day at the "Creation." [Footnote: Haydn commenced the "Creation" in 1797, and finished it in April, 1798.] The poem, which had been sent to him from England, and which his worthy friend Von Swieten had translated into German, lay before him. He had read it again and again, and gradually it seemed as if the words were transformed into music; gradually he heard whispering--low at first, then louder, and more sublime and majestic--the jubilant choirs of heaven and earth, that were to resound in his "Creation."
As yet he had not written a single note; he had only read the poem, and composed in reading, and inwardly weighed and tried the sublime melodies which, when reduced to time and measure, and combined into an harmonious whole, were to form the new immortal work of his genius. While thus reading and composing, the aged musician was transformed more and more into a youth, and the glowing enthusiasm which burst forth from his eyes became every moment more radiant, surrounding his massive forehead with a halo of inspiration, and shedding the purple lustre of ecstatic joy upon his furrowed cheeks.
"Yes, yes, it will do. I shall succeed!" he exclaimed suddenly, in a loud and full voice. "God will give me the strength to complete this work; but it must be commenced with Him--strength and inspiration come from Him alone!"
And Joseph Haydn, perhaps not quite conscious of what he was doing, knelt down and with folded hands, and beaming eyes lifted up to heaven, he prayed: "O, Lord God, give me Thy blessing and Thy strength, that I may gloriously and successfully carry out this work, which praiseth Thee and Thy creation. Breathe Thy Holy Spirit into the words which Thou speakest in my work. Speak through me to Thy creatures, and let my music be Thy language!"
He paused, but remaining on his knees, continued to look up to heaven. Then he rose slowly, and like a seer or a somnambulist, with eyes opened but seeing nothing, he went to his piano without knowing what he was doing. He sat down on the stool, and did not know it; his hands touched the keys and drew magnificent chords from them, and he did not hear them. He only heard the thousands of seraphic voices which in his breast chanted sublime anthems; he only heard the praise of his own winged soul which, in divine ecstasy, soared far into the realm of eternal harmonies.
Louder and louder rolled the music he drew from the keys; now it burst forth into a tremendous jubilee, then again it died away in melancholy complaints and gentle whispers, and again it broke out into a swelling, thundering anthem.
At length Haydn concluded with a sonorous and brilliant passage, and then with youthful agility jumped up from his seat.
"That was the prelude," he said, aloud, "and now we will go to work."
He hastily threw the white and comfortable dressing-gown from his shoulders and rapidly walked toward the looking-glass which hung over the bureau. Every thing was ready for his toilet, the footman having carefully arranged the whole. He put the cravat with lace trimmings around his neck and arranged the tie before the looking- glass in the most artistic manner; then he slipped into the long waistcoat of silver-lined velvet, and finally put on the long-tailed brown coat with bright metal buttons. He was just going to put the heavy silver watch, which his wife had given him on their wedding- day, into his vest-pocket, when his eye fell upon the blue ribbon embroidered with silver, which, ever since his visit to the imperial palace, had lain on the bureau.
"I will wear it on this holiday of mine," said Haydn, with great warmth, "for I think the day on which a new work is begun is a holiday, and we ought to wear our choicest ornaments to celebrate it."
He attached the ribbon to his watch, threw it over his neck, and slipped the watch into his vest-pocket.
"If that beautiful Mrs. Shaw could see me now," he whispered, almost inaudibly, "how her magnificent eyes would sparkle, and what a heavenly smile would animate her angelic features! Yes, yes, I will remember her smile--it shall find an echo in the jubilant accords of my Creation. But let us begin--let us begin!"
