I saw (or fancied I saw, in the ob scurity) a long room with a low ceiling. The dying gleam of an ill-kept fire formed the only light by which I could judge of objects and distances. Redly illuminating the central portion of the room, opposite to which we were standing, the fire-light left the extremities shadowed in almost total darkness. I had barely time to notice this before Iheard the rumbling and whistling sounds approaching me. A high chair on wheels moved by, through the field of red light, carrying a shadowy figure with floating hair, and arms furiously raised and lowered working the machinery that propelled the chair at its utmost rate of speed. "I am Napoleon, at the sunrise of Austerlitz!" shouted the man in the chair as he swept past me on his rumbling and whistling wheels, in the red glow of the fire-light. "I give the word, and thrones rock, and kings fall, and nations tremble, and men by tens of thousands fight and bleed and die!" The chair rushed out of sight, and the shouting man in it became another hero. "I am Nelson!" the ringing voice cried now. "I am leading the fleet at Trafalgar. I issue my commands, prophetically conscious of victory and death. I see my own apotheosis, my public funeral, my nation's tears, my burial in the glorious church. The ages remember me, and the poets sing my praise in immortal verse!" The strident wheels turned at the far end of the room and came back. The fantastic and frightful apparition, man and machinery blended in one--the new Centaur, half man, half chair--flew by me again in the dying light. "I am Shakespeare!" cried the frantic creature now. "I am writing 'Lear,' the tragedy of tragedies. Ancients and moderns, I am the poet who towers over them all. Light! light! the lines flow out like lava from the eruption of my volcanic mind. Light! light! for the poet of all time to write the words that live forever!"He ground and tore his way back toward the middle of the room. As he approached the fire-place a last morsel of unburned coal (or wood) burst into momentary flame, and showed the open doorway. In that moment he saw us! The wheel-chair stopped with a shock that shook the crazy old floor of the room, altered its course, and flew at us with the rush of a wild animal. We drew back, just in time to escape it, against the wall of the recess. The chair passed on, and burst aside the hanging tapestry. The light of the lamp in the circular room poured in through the gap. The creature in the chair checked his furious wheels, and looked back over his shoulder with an impish curiosity horrible to see.
"Have I run over them? Have I ground them to powder for presuming to intrude on me?" he said to himself. As the expression of this amiable doubt passed his lips his eyes lighted on us. His mind instantly veered back again to Shakespeare and King Lear.
"Goneril and Regan!" he cried. "My two unnatural daughters, my she-devil children come to mock at me!""Nothing of the sort," said my mother-in-law, as quietly as if she were addressing a perfectly reasonable being. "I am your old friend, Mrs. Macallan; and I have brought Eustace Macallan's second wife to see you."The instant she pronounced those last words, "Eustace Macallan's second wife," the man in the chair sprang out of it with a shrill cry of horror, as if she had shot him. For one moment we saw a head and body in the air, absolutely deprived of the lower limbs.
The moment after, the terrible creature touched the floor as lightly as a monkey, on his hands. The grotesque horror of the scene culminated in his hopping away on his hands, at a prodigious speed, until he reached the fire-place in the long room. There he crouched over the dying embers, shuddering and shivering, and muttering, "Oh, pity me, pity me!" dozens and dozens of times to himself.
This was the man whose advice I had come to ask--who assistance Ihad confidently counted on in my hour of need.
