登陆注册
20270300000024

第24章

Since, then, we are looking for 'originative sources' of perceptible body; and since 'perceptible' is equivalent to 'tangible', and 'tangible' is that of which the perception is touch; it is clear that not all the contrarieties constitute 'forms' and 'originative sources' of body, but only those which correspond to touch. For it is in accordance with a contrariety-a contrariety, moreover, of tangible qualities-that the primary bodies are differentiated. That is why neither whiteness (and blackness), nor sweetness (and bitterness), nor (similarly) any quality belonging to the other perceptible contrarieties either, constitutes an 'element'. And yet vision is prior to touch, so that its object also is prior to the object of touch. The object of vision, however, is a quality of tangible body not qua tangible, but qua something else-qua something which may well be naturally prior to the object of touch.

Accordingly, we must segregate the tangible differences and contrarieties, and distinguish which amongst them are primary.

Contrarieties correlative to touch are the following: hot-cold, dry-moist, heavy-light, hard-soft, viscous-brittle, rough-smooth, coarse-fine. Of these (i) heavy and light are neither active nor susceptible. Things are not called 'heavy' and 'light' because they act upon, or suffer action from, other things. But the 'elements' must be reciprocally active and susceptible, since they 'combine' and are transformed into one another. On the other hand (ii) hot and cold, and dry and moist, are terms, of which the first pair implies power to act and the second pair susceptibility. 'Hot' is that which 'associates'

things of the same kind (for 'dissociating', which people attribute to Fire as its function, is 'associating' things of the same class, since its effect is to eliminate what is foreign), while 'cold' is that which brings together, i.e. 'associates', homogeneous and heterogeneous things alike. And moise is that which, being readily adaptable in shape, is not determinable by any limit of its own: while 'dry' is that which is readily determinable by its own limit, but not readily adaptable in shape.

From moist and dry are derived (iii) the fine and coarse, viscous and brittle, hard and soft, and the remaining tangible differences.

For (a) since the moist has no determinate shape, but is readily adaptable and follows the outline of that which is in contact with it, it is characteristic of it to be 'such as to fill up'. Now 'the fine' is 'such as to fill up'. For the fine' consists of subtle particles; but that which consists of small particles is 'such as to fill up', inasmuch as it is in contact whole with whole-and 'the fine'

exhibits this character in a superlative degree. Hence it is evident that the fine derives from the moist, while the coarse derives from the dry. Again (b) the viscous' derives from the moist: for 'the viscous' (e.g. oil) is a 'moist' modified in a certain way. 'The brittle', on the other hand, derives from the dry: for 'brittle' is that which is completely dry-so completely, that its solidification has actually been due to failure of moisture. Further (c) 'the soft'

derives from the moist. For 'soft' is that which yields to pressure by retiring into itself, though it does not yield by total displacement as the moist does-which explains why the moist is not 'soft', although 'the soft' derives from the moist. 'The hard', on the other hand, derives from the dry: for 'hard' is that which is solidified, and the solidified is dry.

The terms 'dry' and 'moist' have more senses than one. For 'the damp', as well as the moist, is opposed to the dry: and again 'the solidified', as well as the dry, is opposed to the moist. But all these qualities derive from the dry and moist we mentioned first.' For (i) the dry is opposed to the damp: i.e. 'damp' is that which has foreign moisture on its surface ('sodden' being that which is penetrated to its core), while 'dry' is that which has lost foreign moisture. Hence it is evident that the damp will derive from the moist, and 'the dry' which is opposed to it will derive from the primary dry. Again (ii) the 'moist' and the solidified derive in the same way from the primary pair. For 'moist' is that which contains moisture of its-own deep within it ('sodden' being that which is deeply penetrated by foreign mosture), whereas 'solidigied' is that which has lost this inner moisture. Hence these too derive from the primary pair, the 'solidified' from the dry and the 'solidified'

from the dry the 'liquefiable' from the moist.

It is clear, then, that all the other differences reduce to the first four, but that these admit of no further reduction. For the hot is not essentially moist or dry, nor the moist essentially hot or cold: nor are the cold and the dry derivative forms, either of one another or of the hot and the moist. Hence these must be four.

同类推荐
  • 梵志頞波罗延问种尊经

    梵志頞波罗延问种尊经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • A Belated Guest

    A Belated Guest

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛说箭喻经

    佛说箭喻经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 五诰解

    五诰解

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 宋景文公笔记

    宋景文公笔记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 乱世神尊

    乱世神尊

    一个在深夜离开了台湾的男人却在三国闯出一片天一个在三国闯出一片天的男人却也流下了许多血泪男人流上的血只为了兄弟情义男人流下的泪只为了儿女私情传奇之所以是传奇只因为无人可代替夜冥将写出什么样的传奇故事....?
  • 长大的日子里

    长大的日子里

    当时间悄悄地从指尖溜走,我们也都长大了,学会用长大了的眼光看待世界,看待人生……
  • 魔圣传记

    魔圣传记

    九源大陆,地焚天罚,妖圣崛起。在妖圣带领十二妖王威临天,欲统大陆。众人族大能带领下,奋起抵抗。九源历273年,道门五宗,邪魔九道,散修两盟设陷妖圣于九源山。铩羽而归,就此埋下人族衰亡的伏笔。九源历275年在一个小城之中,妖族杀来,城中三万人被圈养,手无寸铁的冷月眼见家人被妖族所杀,无力回天,自身被群妖追击走上了逃亡之路……
  • 誓一世

    誓一世

    小剧情“你不要再追了好不好。”黎默见北冥澈还在后面穷追不舍,于是慢慢停下了马。“你是本王的王妃,本王如何就不能追了。”北冥澈气急,这女人竟然一声不吭的就跑了。“你女人这么多,不缺我一个,你再找一个王妃不就得了。”黎默的眉头都拧巴在一块了。“本王的王妃如何就随便能换了。”“算了,我不跟你说了,说不过你,所以还是挑明了吧,其实我一直在利用你,我根本就不喜欢你,王府戒备森严逃不出去,我的目的就是为了离开这里而已,所以我才千方百计的让你爱上我,就是等到今天可以供我逃脱。”北冥澈听到这些话心头一紧,而且很疼……“对不起,骗了你,我会还的…”说吧,就决绝的走了…
  • 高唐梦

    高唐梦

    李饮家贫,从小习毛体,喜诗词,上高中不久,便开始了大唐开元之旅。本书风格写实,文笔先下重墨,之后会浓淡相宜。——这是芹菜的第一本书,肯定会有许多不尽如人意的地方,真心希望得到大家的宽容、理解与支持。——以下附庸风雅——香草美人,当从那馨香之物始。至于仗剑去国,游历天涯的情志,大唐除了这白之侠气和饮之儒雅,竟是难寻其右。饮穿大唐,唯有缚鸡之力,未得莫测神功。此人生存之道太差,只运气极佳,又因儿时于那诗词歌赋的些许嗜好,竟在大唐成了正果。至于正果究竟为何物,以愚拙见,当是免不了正头娘子以齐家,偏枕美妾以风流。再如治国、平天下者,当是凭栏浊酒咏醉之词,不足为据,只做流年笑谈罢了。
  • 风缭

    风缭

    我想说,如果你仔细观察你周围的人。你会发现,这帮家伙都有让你佩服的地方。我是说,每个人都有滋有味的活着,活的很好,很开心,有时,你不能不相信,这真是一个奇迹。这世界如此多的人,每个人都能活的有滋有味,天哪,这真是让人觉得不可思议。
  • 先天罪

    先天罪

    离奇的墓地故事,幽默诙谐的文字,还有几个不知道天高地厚的小子,为你揭开层层的贪婪与罪恶。
  • 丁香园的爱情

    丁香园的爱情

    我会说我是在家里觉得无聊才随便穿越的吗?
  • 猎人成仙传

    猎人成仙传

    本书不仅仅是单一的修仙问道,他在探险寻宝方面有着集中的描写,包括人物的刻画,对话,打斗的场景描述的极其精彩。他作为一名平凡的猎人,无意中放生了一只转生的九尾天狐,在家逢巨变,修仙无果的情况下,这只九尾天狐—阿狸带着他寻访金之蓐收木之句芒水之共工火之祝融土之后土的洞天福地,找寻神功妙法。
  • 倒追千金:扑倒国民校草

    倒追千金:扑倒国民校草

    【撒狗粮文轻虐甜文1V1】第一次告白,“男神你好,我要泡你!”被拒!不够文艺太猥琐?那再来一次,“男神,有个恋爱,约吗?什么?不要?那我过会再来问一遍”多次死缠烂打,敌退我进被拒千里后,高冷男神说炸就炸?!“报告会长,您的头号追求者正在操场和男生闲逛!”男神挑眉,接通校长专线“今天下午全校加课!奥数课!”“报告会长,您的头号追求者正参加校男模时装周。”男神甩出一张公告单,“从这一届开始取消模特队,直到她毕业为止!”某女抓狂“男神太丧心病狂!”男神一把将她压在身下,附耳呢喃“不想睡服我了?”