"Ah, here is life!" Within a few days my energy was redoubled. Alively desire of movement, not a usual thing with me, had taken possession of me in spite of myself. Without asking myself why, Ikept going here and there, up and down, to see everything, to gain information; and when I returned to my rooms in the evening, I could have set out again to walk still more. This taught me why Americans are so unwearied and full of business. Unfortunately I have never mastered English sufficiently to converse in that tongue; had Ipossessed that privilege, perhaps my stay in North America would not have been so short, and perhaps I might have figured on the English stage. What an enjoyment it would have been to me to play Shakespeare in English! But I have never had the privilege of the gift of tongues, and I had to content myself with my own Italian, which is understood by but few in America. This, however, mattered little;they understood me all the same, or, to put it better, they caught by intuition my ideas and my sentiments.
My first appearance was in "Othello." The public received a strong impression, without discussing whether or not the means which I used to cause it were acceptable, and without forming a clear conception of my interpretation of that character, or pronouncing openly upon its form. The same people who had heard it the first night returned on the second, on the third, and even on the fourth, to make up their minds whether the emotions they experienced resulted from the novelty of my interpretation, or whether in fact it was the true sentiment of Othello's passions which was transmitted to them--in short, whether it was a mystification or a revelation. By degrees the public became convinced that those excesses of jealousy and fury were appropriate to the son of the desert, and that one of Southern blood must be much better qualified to interpret them than a Northerner. The judgment was discussed, criticised, disputed; but in the end the verdict was overwhelmingly in my favour. When the American has once said "Yes,"he never weakens; he will always preserve for you the same esteem, sympathy, and affection. After New York I travelled through a number of American cities--Philadelphia, Baltimore, Pittsburg, Washington, and Boston, which is rightly styled the Athens of America, for there artistic taste is most refined. In Boston I had the good fortune to become intimately acquainted with the illustrious poet, Longfellow, who talked to me in the pure Tuscan. I saw, too, other smaller cities, and then I appeared again in New York, where the favour of the public was confirmed, not only for me, but also for the artists of my company, and especially for Isolina Piamonti, who received no uncertain marks of esteem and consideration. We then proceeded to Albany, Utica, Syracuse, Rochester, Buffalo, Toledo, and that pleasant city, Detroit, continuing to Chicago, and finally to New Orleans.
IN CUBA
From New Orleans we sailed to Havana, but found in Cuba civil war, and a people that had but small appetite for serious things, and was moreover alarmed by a light outbreak of yellow fever. One of my company was taken down with the disease, but I had the pleasure of seeing him recover, Luckily he had himself treated by Havanese physicians, who are accustomed to combat that malady, which they know only too well. Perhaps my comrade would have lost his life under the ministrations of an Italian doctor. In the city of sugar and tobacco, too, it was "Othello" which carried off the palm. Those good manufacturers of cigars presented me on my benefit with boxes of their wares, which were made expressly for me, and which I dispatched to Italy for the enjoyment of my friends. In spite of the many civilities which were tendered to me, in spite of considerable money profit, and of the ovations of its kind-hearted people, I did not find Cuba to my taste. Sloth and luxury reign there supreme.
APPEARANCE IN LONDON
In Paris I found a letter from the Impresario Mapleson, who proposed that I should go to London with an Italian company, and play at Drury Lane on the off-nights of the opera. I was in doubt for a considerable time whether to challenge the verdict of the British public; but in two weeks after reaching Italy, by dint of telegrams Ihad got together the force of artists necessary, and I presented myself with arms and baggage in London, in the spring of 1875.
Hardly had I arrived, when I noticed the posting, on the bill-boards of the city, of the announcement of the seventy-second night of "Hamlet" at the Lyceum Theatre, with Henry Irving in the title-role.
I had contracted with Mapleson to give only three plays in my season, "Othello," "The Gladiator," and "Hamlet," the last having been insisted upon by Mapleson himself, who, as a speculator, well knew that curiosity as to a Comparison would draw the public to Drury Lane.
IMPRESSIONS OF IRVING'S "HAMLET"
